#SYNTHETIC APERTURE COLOR FINESSE PDF#
#SYNTHETIC APERTURE COLOR FINESSE PRO#
#SYNTHETIC APERTURE COLOR FINESSE SOFTWARE#
#SYNTHETIC APERTURE COLOR FINESSE PROFESSIONAL#

There is also a new and very powerful multi-layer graph editor, вЂњbehavioral animationвЂќ presets, support for (and many of examples of) a new template system for animating graphical elements, new scripting and expression support, and new options for per-character animation of text. If the built-in tools arenвЂ™t enough, Adobe includes Synthetic ApertureвЂ™s Color Finesse, The FoundryвЂ™s KeyLight, and plug-ins from Cењњore. Compositors and colorists will appreciate the many export and preview color modes available, the ability to match any film stock or HDR display, and the new color correction filters.

#SYNTHETIC APERTURE COLOR FINESSE PROFESSIONAL#

Like Premiere, After Effects Professional Version also sports a new customizable interface, adoption of OpenHD standards, and a much revamped 32-bit HDR render engine with OpenGL acceleration. There are also many ways to seamlessly share project files and assets between Premiere and After Effects. And for DVD projects, there is a very capable encoder and options to burn DVDs with chapters and interactive menus straight from the timeline, or Premiere projects can be opened as Encore DVD authoring projects.

There are export and input setting for EDLs and other project types, making integration with film labs and other studios easy. Neat, eh?ДЄnd Premiere is good at sharing other things as well.

#SYNTHETIC APERTURE COLOR FINESSE PDF#

This would be only slightly more helpful than sending a regular video attachment for feedback, but the PDF can then be loaded back into Premiere, and the individual comments appear as markers in the edit timeline exactly where the comments were entered. Now Premiere can export a PDF file containing an embedded video file of the project and text field for entering comments. Premiere is also piggybacking on After EffectвЂ™s 32-bit colorspace render engine, and there are a lot of new color correction tools to take special advantage of that.ДЄll this extra power is sped up by GPU acceleration, and the editing process is faster with the new simplified and prettified interface, and some new labor-saving features. For example, it now handles virtually all SD and HD file formats, mixing different frame rates, in resolutions up to to 4096Г—4096, and has native support for the Xena HS encoding card for real-time uncompressed HD work. Premiere has several new features now, including the spiffy-looking multi-camera switching, and itвЂ™s all new fully docked interface, but there are some serious changes under the hood as well. A seamless process taking only a few hours, using four different programs. I arranged the layers in 3D so I could simulate camera moves, and then imported that animation into Audition for the final music and sound effects edit. I used the Adobe Bridge (a file manager that connects the programs, stores metadata, and more) to get some stock photos from internet libraries, sent them to Photoshop so I could cut them into layered PSDs, which After Effects imported as layered compositions. ItвЂ™s a solution that can be the foundation for many different production pipelines and accommodate many project types.ДЇor example, the first thing I did with it was a reasonably complex commercial animatic.

As a result, the individual applications get a boost in power and flexibility.

#SYNTHETIC APERTURE COLOR FINESSE SOFTWARE#

Adobe has built a suite of software that builds on itself and makes a number of production task faster due to the enhanced connectivity. IвЂ™ve been meaning to write this review for a while, because this bundle is quite a step forward, both in terms of the individual upgrades, and in the added integration between the applications. I went for the premium version because almost all of these additions would be worth the extra $500 on their own, so getting them together is quite economical.

#SYNTHETIC APERTURE COLOR FINESSE PRO#

This comes in two versions the regular (Premiere, After Effects Standard and Photoshop for $1200), and the premium (upgrades After Effects to pro version, and adds Encore, Audition, Illustrator, and several third-party plugins for $1700). A couple of months ago I upgraded all of my Adobe software in one shot by ordering the Adobe Production Studio.

Synthetic aperture color finesse